← Blog

Process

·

4 min read

Colour is a decision, not a mood

How we choose a brand colour with arguments, tests and real context instead of moodboards, and why it lasts longer.

Portrait of Ines Kowalski

Ines Kowalski

Founder, creative director

In this story

In this story

Colour is often picked last and defended least. We do the opposite.

Start with the category

We map every competitor's colour on one wall. The gap on that wall is usually the answer.

Moonrise Records: Foil macroMoonrise Records: Tee+tote

Test it in the wild

Before we commit, we put the colour on a coffee cup, a shop sign and a phone screen. If it survives all three, it stays.

Check

Where we look

When

Proofs

Printed, under shop lights

Every round

Files

Named so a stranger can find them

At handover

Rules

Written down, reviewed with the client

Each quarter

A colour you have to explain is the wrong colour.

Moonrise Records: Flat-lay

Notes and proofs from the same job.

Key takeaway

Map the category's colours on one wall; the gap is usually your answer.

Colour · Strategy · Process

Portrait of Ines Kowalski

Written by

Ines Kowalski

Ines started the studio in a spare room with two desks and one rule: never make work that could belong to anyone else.

Create a free website with Framer, the website builder loved by startups, designers and agencies.